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Talk Board | doona.net
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Doona's interview piece with Sure magazine (part II) |
2013-11-25 10:56
 에미
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#Doona Bae Interview #SURE magazine (Dec. 2013)-Interview Part II
Q 4: 32시간 촬영한 날은 페이스북에 남길 만큼 힘들었나봐요. 장시간 욕조에 들어가 있으면서 체력적으로 한계를 느꼈을 것 같아요.
Q 4: The day you were filming for 32 hours straight must have been so hard on you. So much so that you wrote about it on your Facebook. I can just imagine how physically draining it was to stay in the bath water for such a long time.
A: 저예산 영화라서 어떻게든 회차를 줄여야 해요. 하루를 이틀처럼 썼어요. 아침 7시에 모여 다음날 아침에 촬영을 마쳐요. 마지막 촬영은 아침에 시작해서 그 다음날 점심에 끝났어요. 해도해도 너무한다 했지만, 웃었어요. 어이가 없잖아요.(웃음) 물 속에 너무 오래 있어서 피부 트러블도 생기고. 그리고 여배우가 욕조에 있으면 모든 스태프가 긴장해요. 남자 스태프의 모니터 앞 이동은 금지되고, 커튼 뒤에서 기다리게 되죠. 그것이 참 싫어요. 스태프들이 내 몸을 보러 온 것이 아닌데 마음이 불편해요. 그래서 더 웃고 떠들고 기념사진 찍고 그랬어요. 결국 웃으면서 촬영을 끝냈죠.
A: Because it [Do-Hee-Ya] is a low budget film, you do whatever you can to reduce the number of shootings. We've used one day as if it was two days. You get together at 7 in the morning and finish the shoot the next day morning. The last shoot started in the morning and finished the next day lunch time. It was asking too much, but I had to laugh. It's ridiculous. *laughs*. I got skin trouble because I had to stay in the water too long. And if an actress has a scene in the bath, it becomes stressful for the whole staff. The male staffs are not allowed near the monitor, and they have to wait behind the curtains. I do not like that at all. I feel bad [for the staff]...they did not come to see my body. So I tried to be more talkative, laughed more and took photos. We finished the shooting with smiles at the end.
Q 5: 촬영이 끝난 지 얼마 되지는 않았지만, 아직 여운이 많이 남아 있나요?
Q 5: It's not been long that the filming was done, but does it still affect you in any way?
A: 아직까지는요. 혼자 운전하고 오는 길에 찍은 신이 생각나고, 특히 도희 얼굴이 잔상으로 남아있죠. 그런데 나는 캐릭터 의상을 입고 메이크업을 받아야 완벽하게 그 인물이 돼요. 그런 도움을 받아야 해요.
A: Yes, it does so far. When I am driving home by myself, I think about the scene I had done; especially Do-Hee's face is still with me. However, I can become the character I am playing absolutely only when I put on that character's clothes or get the make-up. I need that kind of help.
Q 6: 아까 메이크업하는 동안, 연기할 때 메이크업을 두껍게 하면 피부에 표현되는 감정이 가려진다고 하는 말을 들었어요. 본인은 연기를 못하는 편이니, 도움을 받아야 한다고. 이전 인터뷰를 보면 대중이 잘한다고 평가하는 연기가 어떤 것인지 알고 있더라고요. 본인은 그런 연기에서 벗어나 있다는 것도 알고.
Q 6: I overheard you saying that too much make-up will cover up emotions that can be expressed through [an actor's] skin when you were doing make-up before [for this interview?]. You were saying you need the help [of not too much make-up] because you are good at acting. When I researched on your past interviews, I could see that you are aware of exactly what kind of acting the public thinks as good acting. And I could see that you also knew that your acting is outside the kind of acting [that the public likes]...
A: 허세라고 생각할지도 모르겠어요. ‘열연’하는 것을 좋아하지 않아요. 내가 연기를 잘하는 것처럼 보이는 데 대해, 별 관심이 없어요. 단지 관객의 마음을 움직이게 하는 것에만 집중해요. 열연을 하며 전부 설명하면 좋은데, 관객들이 내 연기를 보면서 상상하게 하는 것이 더 재밌어요. 지금 캐릭터의 감정이 어떤지 궁금하게 만들고 싶어요. 그것이 내 자신이 원하는 연기의 방향이고요. 정말 슬프면, 펑펑 눈물로 슬픔을 남김없이 보여줄 수 있지만 오히려 울음을 참아요. 그러곤 관객에게 ‘상상하세요’, 이런 방식이죠. 건방져요. 그래서 예전부터 ‘불친절한 배우’라고 설명해왔고요. 연기가 마음과 기술이라면, 기술에 초점을 두지 않았어요. 지금도 상대의 연기에 따라 내 연기가 달라지기도 해요. 단독 샷에서, 상대 배우에게 앞에 서달라고 부탁해요. 가끔 창피하죠. 기술은 앞으로 더 배워야 겠죠.
A: You might think that I am being pretentious. I don't like to do "intense acting" [or "showy acting"?]. I am not interested in making my acting look wonderful. [or making myself look like a great actor] I only focus on moving [affecting] the viewers' hearts. It is great to explain everything through your "intense acting", but I enjoy allowing the viewers use their imaginations when watching my acting. I want them to be curious about what my character is feeling at that moment. That is the direction I want to go with my acting. If my character is feeling really sad, I can show that sadness completely by bawling my eyes out, but I would not let my character to do that. And then I ask the viewers to "imagine" for yourselves. It's like that. It's impertinent. So that's why I have been saying I am an "disobliging actor". If acting is the combination of heart and methods [or skills], I do not focus on the methods. My acting is influenced by my acting partner's acting even now. There are time when I am doing single shots that I ask other actors to stand with the camera in front of me. It gets embarrassing sometimes. I will need to learn more skills.
Q 7: 그러한 감정 표현에 대해 의 감독과 배우들이 입을 모아 극찬했어요. 워쇼스키 감독의 차기작 까지 찍게 되었으니까. 영화를 보며 새삼 당신의 눈이 굉장히 많은 말을 하고 있다는 것을 알았어요.
Q 7: The directors and actors [who had worked with you] all praise your articulation of emotions. You are working again with the Wachowskis. Watching your movies, I realized that your eyes are saying a lot of things.
A: 제 눈은 연기에 많은 도움이 되죠. 이 눈이 아니었으면 진짜 연기할 수 있었을까 싶을 정도로 고마워요. 유치한 말인데, ‘마음의 창’이라는 말도 맞아요. 내가 생각하는 것을 상대방이 알아요. 내 눈을 보고서. 그걸 어느 순간 터득하고는 가만히 상대배우를 바라보는 신에서도 실제로 생각하고 있어요. 텔레파시를 보내요. 연기하는 게 체험하는 거잖아요. 대사나 지문들이 눈으로 전달되었다가 온몸을 돌아서 나오는 게 연기잖아요. 사람들이 눈을 보고 알더라고요. 내가 어떤 마음인지. 그래서 때는 예쁨을 많이 받았죠. 감독님이 모니터를 보고, ‘조금만 더’하면 내가 조금 더 진행하더래요. 생각만 해도 내가 움직이더래요. 감독님은 그런 내 눈과 절제된 감정 표현을 좋아하시더라고요.
A: My eyes do help my acting a lot. I am so thankful for them as I wonder if I'd be acting if not for these eyes of mine. It's rather immature thing to say, I believe the saying- "[eyes are] the windows to your soul"- has some truth. Other people can understand what I am thinking...by looking at my eyes. After realizing that, I am really thinking [of something] in the scenes where I am quietly looking at my acting partner. I am sending that person a thought telepathically. I think acting happens when dialogues and directions are relayed via your eyes and then expressed through your whole body. People could know looking at my eyes... [they knew] what I was feeling. Sometimes people admired me for this [ability to speak with her eyes]. When watching the monitor, the director would say, " just a little bit more", and then I'd really give a little bit more. The director would just have a thought, and I'd be moving!! The director liked those eyes of mine and how I express emotions temperately. |
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| I am afraid there is a mistake in the translation. The number 6 question should be "Q 6: I overheard you saying that too much make-up will cover up emotions that can be expressed through [an actor's] skin when you were doing make-up before [for this interview?]. You were saying you need the help [of not too much make-up] because you are not good at acting. When I researched on your past interviews, I could see that you are aware of exactly what kind of acting the public thinks as good acting. And I could see that you also knew that your acting is outside the kind of acting [that the public likes]..." (에미 13.11.25 11:10) |
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